The ridiculo-sublime idea of the “poseur” has got to be smashed. I can’t be the one to do it though — I think too much of my identity still requires it. But seriously, the standard narrative that a band like The Monkees somehow has less integrity than another LA band like, say, the Byrds, and even weirder, that their pre-fabness would somehow correlate to less musical quality, has been by this stage of the game definitively chucked, right? Then why hasn’t it been ditched across the board? Why do we need nerds and box sets to do our appreciating for us and then tell us it’s alright to like “sellouts”, now that what we could refer to as the Monkees Precedent has been established? To wit: all poseurs have as much chance of making amazing music as the coolest of the cools.
Out now, people.
I told Will Oldham once,
um I don’t know what that song (laughter) was. We played the wrong side of a tape but and maybe it was the Pajama Slave Dancers I don’t know. That’s who it was supposed to be I don’t think it was. Before that we heard Faith from DC off their 12 inch and that song […]
Gene Booth: 20. Chrome: The Visitation 19. Savoy Motel: S/t 18. Mary Halvorson: Meltframe, Away With You 17. Leonard Cohen: You Want It Darker / David Bowie: Blackstar 16. Brad Meldhau Trio: Blues and Ballads 15. Don Ch… I KNOW you’re kidding about #17. Is this you? Anyway, awesome. Rian Murphy: Nah, they’re both pretty […]
“B side included on A side, full length disco mix of Pop Musik on Seaside” Pop Muzik — Other Formats Other Formats The UK 12-inch single version was notable for the A-side having a double groove such that the two tracks (“Pop Muzik” and “M Factor”) both started at the outer edge of the record […]
But just because a record has a groove Don’t make it in the groove But you can tell right away at letter A When the people start to move alphabetically related:
Why waste a page overanalyzing the latest Joy Division release when you can cover 20 new indies in the same space? from Maximum Rocknroll #001, July/August, 1982